Sunday, November 27, 2016

The Orphan Factory by James & Lance Morcan 🍃🍂 Spotlight & eBook Giveaway 🍃🍂 (Romantic Thriller)



An epic, atmospheric story that begins with twenty three genetically superior orphans being groomed to become elite spies in Chicago's Pedemont Orphanage and concludes with a political assassination deep in the Amazon jungle.

The Orphan Factory, a coming-of-age spy thriller novel, is book two in The Orphan Trilogy and a prequel to The Ninth Orphan. Go on another frenetic journey with the ninth-born orphan as he busts out of the clandestine orphanage he knew as home and goes on the run across America.

In the late 1970's, in Chicago, Illinois, the secretive Omega Agency initiates the Pedemont Project - a radical experiment utilizing genetic engineering technologies - to create twenty three orphan babies with the plan to turn them into the world's most effective assassins.

One of the prodigies will rebel: meet Number Nine, an orphan with a mind of his own.

In 1998, when Nine reaches adulthood and graduates with honors from the Pedemont Orphanage, he is already an adept of the deadly espionage arts. Ordered by his Omega masters to assassinate a survivor of the Jonestown tragedy in Guyana's Amazon rainforest, Nine is forced to draw upon all of his advanced training just to stay alive.

Written by father-and-son writing team Lance & James Morcan (authors of The Ninth Orphan and The World Duology), The Orphan Factory is the second book in The Orphan Trilogy. A feature film adaptation of The Ninth Orphan is also currently being developed.



Prologue

An old vagrant hummed tunelessly to himself as he warmed his bony hands over a fire he’d lit minutes earlier in a drum long since blackened by perhaps a hundred such fires. Certainly more fires than he, or any of his street cronies, could remember. He stopped humming when, across a busy thoroughfare, a gravel-voiced busker began reciting poetry.
“Stormy, husky, brawling,” the busker rumbled. “City of the big shoulders.” He was reciting verse from the works of hometown poet-made-good, Carl Sandburg. The poem was appropriately titled Chicago. “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning.” The busker, a long-haired Vietnam veteran whose only concession to his military past was his VSM service medal which he still wore with pride, looked directly at the old vagrant opposite.
The vagrant imagined the busker smiled at him, though he couldn’t be sure in the fading early evening light. Even so, he flashed a toothless grin in the other’s direction.
Soon, the old man was joined by half a dozen street pals. All homeless like him, they appeared like disheveled ghosts out of the shadows, attracted partly by the warmth of the fire and partly by the busker. They listened intently to the poet’s words that flowed effortlessly from the busker’s mouth. Words that painted images so vivid in their minds it was as if the men were watching a kaleidoscope of their own youth.
“Under the smoke, dust all over his mouth, laughing with white teeth,” the busker continued. “Under the terrible burden of destiny laughing as a young man laughs.”
Several passersby paused to listen, but none bothered to drop a donation into the hat that lay at the busker’s feet. Finally, as the busker finished his recital, a business executive threw a quarter into the hat without breaking stride. Encouraged, the busker launched into another Sandberg poem.
Listening to the busker delivering further verses about his beloved Windy City, the old vagrant couldn’t help but note the irony: there wasn’t a breath of wind on this still Chicago evening.
The vagrant’s parents had always assured him the city’s misleading nickname had nothing to do with the weather. His mother had insisted the Windy City label came from the longwinded speeches given by the city’s Nineteenth Century politicians, while his father claimed the moniker had been mischievously bestowed by competitive New Yorkers in their attempt to win the World Trade Fair of 1893.
To add to the contradictions, even though it was February, it was an unusually mild winter’s evening. The vagrants gathered around the fire warming their hands did so more out of habit than necessity on this occasion.
Chicago’s streets were busy and the mood downtown was fairly upbeat. President Jimmy Carter was due to visit the city and greater Illinois the following day. Word had spread: the President would be here soon, and come hell or high water he was going to receive a right, royal Illinois welcome.
As Chicagoans went about their business, hurrying home after a long day at the office or heading out to sample the city’s nightlife, none were remotely aware of the sinister, Nazi-like experiment taking place virtually under their noses.
Despite the experiment’s seventy five million dollar price tag, only a select few knew about it. Those in the know did not include the city’s Mayor or any state politicians; at Federal level, not even the President knew about it.
The experiment was taking place in a laboratory in the concealed basement of a renovated warehouse just off North Michigan Avenue. Seven pregnant women were in various stages of labor in the lab that served as a makeshift maternity hospital.
Like some Orwellian nightmare, the women were giving birth in clockwork-like fashion, almost in unison.
Small teams comprised of doctors and white-coated geneticists assisted the women. A specialist induced latecomers. In the lab’s far corner, two suited men looked on expectantly.
The numerous personnel in attendance were all in the employ of the Omega Agency, a recently formed and highly secretive outfit which would one day become the world’s most powerful shadow organization.
Supervising the eerie experiment was Omega’s own Doctor Frankenstein – better known as Doctor Pedemont, the brilliant biomedical scientist responsible for the radical science behind it. Over the past few years, with the help of his team of geneticists, Doctor Pedemont had painstakingly selected the fetus’ genes from thousands of sperm donations combined with the genes of his female subjects. The donations had come from another medical experiment referred to as the Genius Sperm Bank.
The motivation behind the Genius Sperm Bank, which had been initiated over a decade earlier, was to advance the breeding of super-intelligent people. The bank was stocked full of semen donations solicited from many of the world’s most intelligent men.
Benefiting from the efforts of some of Omega’s elite operatives, Doctor Pedemont had unlawfully obtainedhundreds of samples from the Genius Sperm Bank. Then, taking the best of the sperm donations, he’d artificially inseminated the very women who were now in the process of giving birth. This meant each child that was about to be born effectively had one mother and numerous fathers.
The legalities of the entire operation were of no concern to Omega. Although still in its formative stages, the agency was already above the law.
A tense Doctor Pedemont and three geneticists fussed over the first mother-to-be, a young redheaded woman, as she entered the final stages of labor. The two suits observing from afar waited anxiously as the geneticists used advanced scientific equipment to monitor the birth.
The redhead gave birth to female twins. They arrived six minutes apart. Doctor Pedemont picked up the first twin. After removing the umbilical cord, he placed the newborn baby on a set of scales. “Number Five,” he announced. “Born 7.43 pm. Weight seven pounds, thirteen ounces.”
One of the geneticists recorded the doctor’s findings in a file labeled Number Five. Sadly, this would be the closest the girl would ever have to a real name.
Doctor Pedemont gave the baby to another geneticist then grabbed her newborn sister and weighed her. “Number Six. Born 7.49 pm. Weight seven pounds, one ounce.”
The advent of twins was no accident, of course. Their arrival had been planned for, like everything else that occurred within the Omega Agency.
The next baby was born minutes later to an African-American woman. It was a boy who was clearly of African descent. However, he had a much lighter skin tone than his mother, indicating most or all of the sperm donations inseminated into the woman were taken from Caucasian men.
“Number Seven,” Doctor Pedemont announced. “Born 7.56 pm. Weighs exactly five pounds. A few weeks prem, but is perfectly healthy.”
Because Number Seven was a premature birth, one of the geneticists immediately placed him in an incubator. Number Eight, who was born quarter of an hour later, was a healthy girl of Oriental descent.
When Number Nine was born, the mother, a beautiful dark-haired woman with striking green eyes, reached out to Doctor Pedemont to indicate she wished to hold the boy she had just birthed. The doctor looked around enquiringly at the two mysterious suits who remained in the corner. After discussing it between themselves, the older of the two nodded.
Doctor Pedemont looked back at the newborn’s mother cautiously. “You know you’ll never see him again, Annette?”
Annette nodded forlornly. She fully understood the ramifications of her agreement with the Omega Agency. Doctor Pedemont reluctantly placed Number Nine in Annette’s arms. The baby boy reached out and placed his tiny hand on the ruby that hung from a silver necklace she wore.
“Sebastian,” Annette whispered tearfully as she looked into her son’s eyes. “I name you Sebastian, after my father.”
Anxious to avoid further bonding between mother and son, Doctor Pedemont took Number Nine from Annette and handed him to one of the geneticists who, without ceremony, jabbed a needle into the boy. Predictably, Nine started screaming. His mother looked on resignedly.
Later that night, two more boys and another girl were born. Like Number Nine, all three were Caucasian.
As Number Twelve, the last of the newborns, was weighed, the two suits approached a relieved Doctor Pedemont. They looked more relaxed now. The older of the two, a short, stocky, dapper individual with heavily pock-marked skin, reached for the doctor’s hand and shook it firmly. This was Andrew Naylor, the Omega Agency’s hard-nosed director who was known for his foul temper as well as for his lazy eye, which never quite managed to focus on whomever he was addressing at the time.
“Congratulations, doctor,” Naylor mumbled without even a hint of a smile.
“Thank you,” a beaming Doctor Pedemont responded, taking care to avoid eye contact with Naylor as he found the other’s lazy eye highly disconcerting.
Naylor’s companion, Special Agent Tommy Kentbridge, patted the doctor on the back in congratulatory fashion. “Well done,” Kentbridge said. Tall and ruggedly handsome – physically the polar opposite of Naylor – the special agent was one of Omega’s young stars. As a field operative, he had the sort of record most agents twice his age would be proud of. Although only in his early twenties, Kentbridge had been assigned to manage the products of this agency experiment. Like it or not, he would be the nearest to a father any of them would have.
It was a long-term experiment and no-one knew exactly what the outcome would be. The experiment was known in Omega circles as The Pedemont Project…

Copyright © James Morcan & Lance Morcan 2012





🍃🍂 Click on the image to learn more 🍃🍂


To introduce ourselves, ‘we’ are Lance Morcan and James Morcan, the Down Under father-and-son writing and producing team; we are novelists, screenwriters and film producers; Lance is based in Bay of Plenty, New Zealand, while James, who is also an actor, is based in Sydney, Australia.

Lance Morcan

New Zealand novelist, screenwriter and film producer Lance Morcan is a prolific writer with various published books and released movies to his credit. His novels include the international thriller series THE ORPHAN TRILOGY (The Ninth Orphan / The Orphan Factory / The Orphan Uprising) and the historical adventure series THE WORLD DUOLOGY (World Odyssey / Fiji: A Novel). All five novels were co-written with his son James Morcan and published by Sterling Gate Books. The Morcans' first non-fiction title, THE ORPHAN CONSPIRACIES, was published recently. Their production company, Morcan Motion Pictures, is developing The Ninth Orphan and Fiji into feature films.
A former journalist and newspaper editor, Lance divides his time these days between novel writing, film producing and screenwriting. Numerous screenplays he has written are in active development as movies and as a producer his feature films have screened at cinemas in Australia, Italy and Cannes.
Lance is currently perfecting his solo-written 'New Zealand' - an epic adventure novel covering 500 years of South Pacific and Polynesian history. Including research, writing (and life's distractions!), this novel has been over a decade in the making.


    



James Morcan

New Zealand-born actor, filmmaker and published author James Morcan resides in Sydney, Australia. His most recent acting performance was a leading role in the post-Apocalyptic feature film After Armageddon which he also wrote. The dystopian adventure film was shot in rural Australia in early 2015 and Morcan co-starred with Berynn Schwerdt (‘Wyrmwood’).

Other recent leading roles include the OZ-Bollywood productions My Cornerstone and Love You Krishna. Morcan also wrote the screenplays for both features which were filmed in Sydney and Mumbai and incorporated English and Hindi languages.

Other productions James has performed in include the BBC TV series Dark Knight, several indie features and a live stadium production of Ben Hur headlined by Academy Award winner Russell Crowe. To date, his feature films have screened at cinemas in Australia, New Zealimdband, India, Italy and Cannes.


   


Win an eCopy of The Orphan Factory gifted via Amazon.com!

@MorcanJames @SterlingGate https://goo.gl/NCd1F9

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